Graphic

Explore 745 award-winning designs tagged Graphic on DesignLimo.

Designer: Centrick Design: Brand Design Tag: Graphic

Naturally Fluid

Naturally Fluid is a brand identity created for an international film festival about nature. The identity uses a fluid design language that can present the festival themes together or highlight each theme on its own. Every element was hand drawn and painted with watercolours, then digitised and combined to resemble a collage of nature. A geometric sans-serif typeface accompanies the raw illustrations. Brand marks and word marks support recognition. The system was designed digital first to render on mobile devices and social media.

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Designer: Lara Wilkin Design: Social Graphic Tag: Graphic

Against Suicide

Against Suicide is a social awareness poster created to address the taboo around depression and suicidal thoughts. A large vector illustration shows a chain reaction of small triggers and the phases of a suicidal process, together with possible forms of support. The poster is intended for public places such as squares and transport stops, where viewers have time to study the many details. The quiet design aims to help affected people feel understood and to lower the reluctance to seek help. Production is possible as a large poster, a flyer or a newspaper print.

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Designer: Guangzhou Cheung Ying Design Co., Ltd. Design: Corporate Identity Tag: Graphic

Hocan Healthy

Hocan Healthy is a corporate identity created for a brand of hydrogen and oxygen health technology products. The logo reduces the hydrogen molecule to a simple circle. Positive and negative shapes show the change between water and hydrogen, and express the field of the brand. Technology blue is used as the main color, combined with three-dimensional modeling. The logo can move between two-dimensional and three-dimensional forms across different materials and processes while remaining recognizable. The visual system is built in vector format for printed and digital media.

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Designer: Poovakorn Watcharaphongphiphat Design: Thesis Tag: Graphic

Ten Thousand to One

Ten Thousand to One is the visual identity for an exhibition of thesis projects by senior students of the Communication Design Program at Mahidol University International College. The identity uses illustration, color and key graphics to connect all displayed projects and to create a friendly and inspiring atmosphere for visitors. The design system is applied to printed and online publications, posters, typography, animated clips, environmental graphics for wayfinding, stage design, and the event booklet, gift and souvenir items.

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Designer: Goi Jien Ming Design: Brand Identity Tag: Graphic

Half Production

Half Production is a photography and videography studio. The balance between lighting and shadow is something they always seek for. Meanwhile, this also coincides with their philosophy of life. Grasping the balance between half and full is just like being humble and keeping learning, the balance between function and creativity. The logo is inspired by the action of pouring the water. When the glass is full, there's no space for improvement. The action of pouring the water seems to be something we're chasing for. Be humble and keep learning.

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Designer: Mengyi Xie Design: Branding Tag: Graphic

Stories of Communication

Stories of Communication is a visual identity design created for the fifteenth anniversary of a university school of communication. The main logo is a geometric graphic based on the numeral 15. From the main logo, a family of 100 sub-logos was developed. Each sub-logo presents one story, invention or initiative from the history of communication, from knotted strings used in prehistoric times to the first newspaper and the world wide web. Arranged in chronological order, the sub-logos are applied to posters, invitations, pamphlets, venue displays and souvenirs.

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Designer: Gonzalo Alatorre Design: Logo and Applications Tag: Graphic

BTY Brand Identity

BTY Brand Identity is a logo and applications program created for BTY Group. The logomark is an analytical and mathematical interpretation of the moment a gennaker sail is deployed. The design also refers to the disruption that the gennaker sail brought to sailboat racing. The mark represents a future in which people lead technology. Over 300 pencil sketches preceded refinement in digital media until the intended geometry was reached. Black is the main colour, supported by bright colours. The black and white form allows easy reproduction on many substrates.

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Designer: JUYOUNG HWANG Design: Poster Tag: Graphic

Using Stuff

The Using Stuff project reconstructed the movie poster using various types of objects. Artworks are inspired by the original form and function of the object as well as the signature of each movie. The objects used were made with easy to find items anytime, anywhere. The project's theme covers societal issues that are currently in question (Russian-Ukraine war, Covid-19, etc.). It is designed to be easily accessible to viewers by associating themes with famous films such as James Bond. Each work is made up of vivid colors and simple backgrounds, allowing viewers to focus more on the subject.

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Designer: Maksim Zinchuk Design: Brand Identity Tag: Graphic

Transam Carriers

Transam Carriers is a brand identity created for a transportation and logistics provider based in Toronto, Canada. The identity is built around the Zubr, or European Bison, an animal from Eastern Europe that symbolizes uniqueness and power. The head of the animal is fitted into a triangle, and a slanted custom font gives the logo a dynamic look. Yellow and black are the two primary colors. The style is applied to corporate trucks, the website, social media, stationery, advertising and promotional products. Yellow triangles in the graphics make the brand recognizable within the industry.

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Designer: Botond Vörös Design: Graphic Design Tag: Graphic

Budapest Giftbook

Budapest Giftbook is a flipbook that presents Budapest, Hungary, through a series of illustrations. Flicking the pages rapidly creates the illusion of continuous movement, so the book works as both a printed object and a short film. Each illustration can also be viewed on its own. The book has 360 pages and measures 146 by 107 millimetres. The crest on the cover is produced with silver foil printing. The result is a souvenir, a source of inspiration and a compact guide to the city.

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Designer: Jialiang Jing Design: Experimental Font Design Tag: Graphic

The Engravings on Mount Yi

The Engravings on Mount Yi is an experimental typeface design based on the ancient stone inscriptions of Mount Yi. The inscriptions record a standard small seal script used after the writing system of ancient China was unified. The project includes letterform standardization, information visualization, poster design and an augmented reality experience. The work is presented mainly as a website, with printed posters and three-dimensional models. Scanning a code on a poster shows a three-dimensional model of a character. The aim is to present traditional Chinese script in a new and clear way.

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Designer: Paul Robb Design: Typeface Design Tag: Graphic

Plasma SF

Plasma is a stylistic modular font developed to give freshness to graphic projects. The font includes diverse and versatile styles of an extensive character set with over 80 alternative glyphs allowing glyph mixing, griving the typeface a unique personality. The font is perfect for branding communications giving a distinct visual balance. The Specimen book was developed as a short run for the first 20 designers to buy the font.

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